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      <image:title>Work - Unit series</image:title>
      <image:caption>Untitled (Unit IV) Tungsten carbide masonry drill bit (crude oil extraction), P.R.C. infantry ‘ghillie’ suit 360 x 480 mm 2015</image:caption>
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  <url>
    <loc>https://www.alltheorynopractice.com/work/editions</loc>
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    <lastmod>2020-09-16</lastmod>
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      <image:title>Work - Editions and multiples</image:title>
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      <image:title>Work - Editions and multiples</image:title>
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      <image:title>Work - Editions and multiples</image:title>
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      <image:title>Work - Editions and multiples</image:title>
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      <image:title>Work - Editions and multiples</image:title>
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      <image:title>Work - Editions and multiples</image:title>
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      <image:title>Work - Editions and multiples</image:title>
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      <image:title>Work - Editions and multiples</image:title>
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      <image:title>Work - Editions and multiples</image:title>
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  <url>
    <loc>https://www.alltheorynopractice.com/work/tontine</loc>
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    <lastmod>2021-12-14</lastmod>
    <image:image>
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      <image:title>Work - Tontine series</image:title>
      <image:caption>Untitled (Sloop) Cement packets, cotton 3000 x 2400 mm 2018</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1591650371781-D16PUB42L2D8QVWXYRCV/Tontine_fujian.jpg</image:loc>
      <image:title>Work - Tontine series</image:title>
      <image:caption>Untitled (Fujian) Cement packets, cotton, bamboo, cast iron, bone 5400 x 2550 x 190 mm 2018</image:caption>
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    <image:image>
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      <image:title>Work - Tontine series</image:title>
      <image:caption>Sirius and the spider Cement packets, cotton 2400 x 2640 mm 2019</image:caption>
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      <image:title>Work - Tontine series</image:title>
      <image:caption>Untitled (Mizzen) Cement packets, cotton 2800 x 2500 mm 2018</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1591656091776-EYQAZFJU91URPYVST1U6/Tontine_kwanza.jpg</image:loc>
      <image:title>Work - Tontine series</image:title>
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    <image:image>
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      <image:title>Work - Tontine series</image:title>
      <image:caption>Heirloom Cement packets, bamboo, cotton 4500 x 2400 x 100 mm 2016</image:caption>
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  <url>
    <loc>https://www.alltheorynopractice.com/work/seaofash</loc>
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    <lastmod>2020-08-15</lastmod>
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      <image:title>Work - Sea of Ash</image:title>
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      <image:title>Work - Sea of Ash</image:title>
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      <image:title>Work - Sea of Ash</image:title>
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      <image:title>Work - Sea of Ash</image:title>
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      <image:title>Work - Sea of Ash</image:title>
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      <image:title>Work - Sea of Ash</image:title>
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      <image:title>Work - Sea of Ash</image:title>
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      <image:title>Work - Sea of Ash</image:title>
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  <url>
    <loc>https://www.alltheorynopractice.com/work/tribe</loc>
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    <priority>0.5</priority>
    <lastmod>2021-12-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1591656889854-Q2OOZEDKOWS7SHH0HTLF/Tribe_Survivor.jpg</image:loc>
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      <image:caption>Survivor 2020</image:caption>
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      <image:title>Work - Tribe series</image:title>
      <image:caption>Fairy tale 2020</image:caption>
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      <image:title>Work - Tribe series</image:title>
      <image:caption>Boi 2020</image:caption>
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  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/work/deltaseries</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-14</lastmod>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/work/futureproof</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-14</lastmod>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/work/der-magnetiseur</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/work/ossuary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-15</lastmod>
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      <image:title>Work - Ossuary</image:title>
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      <image:title>Work - Ossuary</image:title>
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  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/work/100suns</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1592083453194-277XYYLFX20R064VPZGF/100Suns_macgarry_02.jpg</image:loc>
      <image:title>Work - 100 Suns series</image:title>
      <image:caption>Luanda, Angola, 2029 Archival inkjet print on cotton paper 2750 x 1100 mm 2010 Edition 3</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1592082974730-FP6NPFIP4RJQG082I14Q/100Suns_macgarry_01.jpg</image:loc>
      <image:title>Work - 100 Suns series</image:title>
      <image:caption>Malabo, Equatorial Guinea, 2023 Archival inkjet print on cotton paper 2250 x 1100 mm 2010 Edition 3</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1592083533207-E1JNY8SILU9PORMVD9DO/100Suns_macgarry_03.jpg</image:loc>
      <image:title>Work - 100 Suns series</image:title>
      <image:caption>Lagos, Nigeria, 2027 Archival inkjet print on cotton paper 2500 x 1100 mm 2010 Edition 3</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1592083854813-33JMJHR39O1HNMHVH8IP/100Suns_macgarry_04.jpg</image:loc>
      <image:title>Work - 100 Suns series</image:title>
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      <image:title>Work - 100 Suns series - Wallpaper* magazine April 2020 limited edition by Michael MacGarry. Featuring Maputo, Mozambique 2050 – from 100 Suns series.</image:title>
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  <url>
    <loc>https://www.alltheorynopractice.com/work/lhr</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/work/insects</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596636860539-LY20RK82GMTDF3JKYZ97/revel.jpg</image:loc>
      <image:title>Work - Insects cannot know love - The Revel Fox HD video 10 minutes (approx.) Colour, stereo, 25 fps, PAL 2004 (unmade)</image:title>
      <image:caption>This project constituted the filmic re-presentation of a live action - an attempt to dismantle the autonomy and temporality of a staged event by mediating the primary experience of the performance through video and sound recording. The planned, formal construction of the video consisted of one static medium length foundation shot throughout with the progressive linear narrative conditional to the reassembly of a laundry drying rack. The video would have been silent except for any dialogue between Revel Fox and his assistant. The Revel Fox planned to feature the imposition of a standard laundry drying rack into a neutral white cube gallery space. The drying rack was conceptually framed according to function and design – the former is obvious while the latter was defined as a pseudo-Modernist sculptural idiom in the vein of Fuller’s geodesic domes; Brancusi’s Endless Column; Duchamp’s readymades or Sol LeWitt’s form of Minimalism. Yet to define function purely as an obvious domestic object belies the rack’s complicated construction - the process of reassembly would have been taxing and to some extents a structural puzzle. Hence the proposed need for an assistant with cable ties. The employment of cable-ties to secure the structure during the reassembly would have rendered the collapsible feature of the original design void. The utilitarian domestic object would have been ‘fixed’ by a renowned architect – as Warhol produced the office building as art object, my intention was a similar ‘treatment’ of the drying rack – but rather than film the laundry rack for eight hours, I instead planned to record the approximately ten minutes it might have taken for a renowned architect to reassemble it. An act that despite the film's title would have refigured the domestic contrivance, and not the architect, as art-object. This ridiculous application of over-qualification intended to refigure the architect simply as a reassembly technician to critically access the relative positions and merits of prominent, singular creative producers - particularly within the uniquely uncritical architectural discipline. In the context of the white cube gallery space and in the presence of the mechanics of video and sound recording, the actions and intentions of Revel Fox would have been serious. However my framing of that recording would not have been - The Revel Fox was planned as a conceptually motivated trap that would produce a readymade. Revel Fox died on 13th December 2004, aged 80 years old.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/work/excuseme</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-15</lastmod>
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      <image:title>Work - Excuse me, while I disappear.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1597520896216-BDP0B5M36JHRDKJU6FZ0/Disappear_still_03.jpg</image:loc>
      <image:title>Work - Excuse me, while I disappear.</image:title>
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      <image:title>Work - Excuse me, while I disappear.</image:title>
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      <image:title>Work - Excuse me, while I disappear.</image:title>
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      <image:title>Work - Excuse me, while I disappear.</image:title>
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      <image:title>Work - Excuse me, while I disappear.</image:title>
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      <image:title>Work - Excuse me, while I disappear.</image:title>
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      <image:title>Work - Excuse me, while I disappear.</image:title>
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  <url>
    <loc>https://www.alltheorynopractice.com/work/parang</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-15</lastmod>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/work/project-one-hgy2m-ykexj-72gwe</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
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      <image:title>Work - Chocolate City - Chocolate City</image:title>
      <image:caption>Published by Stevenson, Cape Town, 2012 Printed and bound in The People's Republic of China Hardcover, 120 pages ISBN 978-0-620-53361-4 Edition 300 Special Edition 15</image:caption>
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      <image:title>Work - Chocolate City</image:title>
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      <image:title>Work - Chocolate City</image:title>
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      <image:title>Work - Chocolate City</image:title>
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      <image:title>Work - Chocolate City</image:title>
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      <image:title>Work - Chocolate City</image:title>
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    <image:image>
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      <image:title>Work - Chocolate City</image:title>
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    <image:image>
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      <image:title>Work - Chocolate City</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596569654457-FCQU1WHYICCREA9SA8FS/DPP_0135.jpg</image:loc>
      <image:title>Work - Chocolate City</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596569663082-PO8BQTIT1PTV4SKT7F0X/DPP_0178.jpg</image:loc>
      <image:title>Work - Chocolate City</image:title>
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    <image:image>
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      <image:title>Work - Chocolate City</image:title>
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    <loc>https://www.alltheorynopractice.com/work/healthy</loc>
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    <loc>https://www.alltheorynopractice.com/work/oneman</loc>
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    <loc>https://www.alltheorynopractice.com/work/republicluanda</loc>
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      <image:title>Work - The Republic of Luanda - The Republic of Luanda</image:title>
      <image:caption>Published by Stevenson, Johannesburg, 2011 Printed and bound in The People's Republic of China Hardcover, 112 pages ISBN 978-620-50148-4 Edition 300 Special Edition 15</image:caption>
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      <image:title>Work - The Republic of Luanda</image:title>
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      <image:title>Work - The Republic of Luanda</image:title>
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      <image:title>Work - The Republic of Luanda</image:title>
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      <image:title>Work - The Republic of Luanda</image:title>
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  <url>
    <loc>https://www.alltheorynopractice.com/work/asabove</loc>
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    <lastmod>2020-09-03</lastmod>
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  <url>
    <loc>https://www.alltheorynopractice.com/work/d9</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1592076884581-ZFGA7784X2PF05MAZ0GP/D9_02_new.jpg</image:loc>
      <image:title>Work - Private grammar</image:title>
      <image:caption>Level 9 Certified original film prop: District 9 (2009), cleat nails, nails, screws, epoxy 270 x 510 x 1100 mm 2011 Private collection</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1592078095393-H0WOODP4AG8I7Y5FHSQO/D9_Fetish_3500px.jpg</image:loc>
      <image:title>Work - Private grammar</image:title>
      <image:caption>Private Grammar I Certified original film prop: District 9 (2009), cleat nails, nails, screws, epoxy 210 x 460 x 1350 mm 2011 Private collection</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1592344305238-Q2A77EATHBWHLOUTHCN3/Large+JPG-Aro+Ha_0380.jpg</image:loc>
      <image:title>Work - Private grammar</image:title>
      <image:caption>Race of Man HD video 12 minutes 30 seconds Colour, stereo, 25 fps, PAL 2011 Edition 5 +2 A.P.</image:caption>
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  <url>
    <loc>https://www.alltheorynopractice.com/work/mech</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/f2c9cb74-33e9-436e-8326-7ae7702f3452/RSA43.jpg</image:loc>
      <image:title>Work - Mech series - RSA43</image:title>
      <image:caption>Steel, found objects, 2K enamel 2 000 x 1 265 x 1 800 mm 2021 The 1987 film RoboCop was set in 2043 – the year I will turn 65, a traditional deadline for retirement from professional life. In 1990, I was 12 years old and apart from being largely unaware of the state of emergency boiling all around me in that autarkic circumstance called apartheid, I watched RoboCop repeatedly on VHS to the point that the magnetic tape snapped. I am not sure why I kept viewing this odd film, but I sense the effect is unfolding. The film's opening scene features a fictional news broadcast with a lead story on Pretoria as a city-state in 2043 threatening to use a French-made neutron bomb against political opponents to white-minority rule.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/a6b371ec-0003-4634-aac5-3c2c6b800321/1.jpg</image:loc>
      <image:title>Work - Mech series - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/74b7fe8a-0522-44ba-a412-9ea61ca0d0c3/faro_1.jpg</image:loc>
      <image:title>Work - Mech series - FARO™ RLV 3-10</image:title>
      <image:caption>Laser-cut mild steel, found and bought objects, epoxy, enamel paint 2300 x 1600 x 2460 mm 2012 FARO RLV 3-10 is a fictional, unmanned field artillery cannon (Remote Land Vehicle) of the Nigerian Federal Army in the year 2028, conceived, designed and manufactured by the artist, principally in mild steel. Informing the work is the idea that, in all probability, the United States will in our lifetime engage in military activities against the Federal Republic of Nigeria, under the rubric of ensuring security, peace and stability in the country and the region - at the same time actively securing a reliable source of scarce energy. Faro RLV 3-10 aims to manifest a mechanical, physical resistance to this imperial expansion from a possible future Nigerian state, which might one day build its own defence and military hardware rather than draining domestic GDP by importing such technology and consumables. The (fictional) history of the RLV 3-10 is that it was designed and manufactured by FARO™ (Nigerian Military Industries) in Abuja in 2028, and saw active service in peace-keeping missions to Sudan (2030) and in both US invasions of Nigeria - Operation Sovereign (2032) and Operation Permanent Liberty (2033).</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/96127882-8f8e-4597-8b75-5f3d5540c5a0/Howitzer.jpg</image:loc>
      <image:title>Work - Mech series - Howizter Fetish</image:title>
      <image:caption>Steel, nails, bolts, tubing, plating, found objects, enamel paint 4800 x 1400 x 3600 mm 2010 Private collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596705526414-SE1IZ85MQA1JGVJAN2JU/BTG-76_mm.jpg</image:loc>
      <image:title>Work - Mech series - O1A</image:title>
      <image:caption>Mild steel, enamel, found objects 1 240 x 2 440 x 2 440 mm 2018 O1A is a fictional, anti-personnel droid of the South African National Defence Force (SANDF) in the year 2030, conceived, designed and manufactured by the artist, principally in mild steel. Informing the work is a socio-political critique of state-owned enterprises (SOEs) in South Africa mired in insitutionalised corruption and mismanagement, in particular Denel SOC Ltd – the South African state-owned aerospace and military technology conglomerate established in 1992.</image:caption>
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  <url>
    <loc>https://www.alltheorynopractice.com/work/festoon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596660427622-6JX19ICI5XT69WWJ4S8J/Historical_all.jpg</image:loc>
      <image:title>Work - Festoon series</image:title>
      <image:caption>Historical materialism Bronze (verde patina) 770 x 400 x 380 mm 2011 Edition of 3</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596658702426-PEZH1F1EESRT2IRSQR8F/Onan_1.jpg</image:loc>
      <image:title>Work - Festoon series</image:title>
      <image:caption>Onan the Magnificent Bronze (white patina), prosthetic eyes 360 x 260 x 390 mm 2011 Edition 3 + 1 AP</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596658818774-ZFCXAIU33U2Y7DLTCU9C/wanderer.jpg</image:loc>
      <image:title>Work - Festoon series</image:title>
      <image:caption>The Wanderer Bronze (verde patina) 1160 x 400 x 430 mm 2015 Edition 3 + 1 AP</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596659192526-UP7MYS7KCKA7NVA26S5Y/marble_head1-2.jpg</image:loc>
      <image:title>Work - Festoon series - Jet Black Pope Marble 360 x 240 x 275 mm 2012</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596659262835-A1KTLORYABO2KRG2HTLD/marble_head2-2.jpg</image:loc>
      <image:title>Work - Festoon series - Gaudeamus Igitur Marble 415 x 240 x 265 mm 2012</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596660826699-35SXGRV6KCWWWLGNJZQP/MM_3678_RT8.jpg</image:loc>
      <image:title>Work - Festoon series</image:title>
      <image:caption>From left: Champagne socialists: Thabo Mvuyelwa Mbeki | Wood, industrial foam, wax, oil paint, steel | 730 x 220 x 240 mm | 2008 | Private collection Tippex politics: H.F. Verwoerd | Bronze | 650 x 270 x 270 mm | 2008 | Edition 3</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596660731544-DA9DKN39DNB6S0MPZM09/MerCapitalism_op.jpg</image:loc>
      <image:title>Work - Festoon series</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596659687545-IEIDYEGY3D8K9X2GHFGN/MacGarry_festoon_01.jpg</image:loc>
      <image:title>Work - Festoon series</image:title>
      <image:caption>Heard you was a screamer Polyurethane 485 x 220 x 250 mm 2012</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596659610285-6Y0NG4SAPPYXMVS3P29J/red_head.jpg</image:loc>
      <image:title>Work - Festoon series</image:title>
      <image:caption>Adult Fun Polyurethane, prosthetic eyes 500 x 210 x 325 mm 2012 Private collection</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1597357457502-FNVN5DZPZIVWYAI2DGJO/Screen+shot+2010-06-29+at+10.56.43+PM.jpg</image:loc>
      <image:title>Work - Will to Power</image:title>
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  <url>
    <loc>https://www.alltheorynopractice.com/work/project-one-hgy2m-ykexj-72gwe-5py7r-xcmte-32znn-flk5f-lrjck-ejlw8-pt3kk-bhhze</loc>
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    <lastmod>2020-09-03</lastmod>
    <image:image>
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      <image:title>Work - Flies.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1597521478107-BI7SUTZESGFTX96J8COW/Flies_02.jpg</image:loc>
      <image:title>Work - Flies.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1597521464898-YWN7I1DW951KQY57QQE8/Flies_03.jpg</image:loc>
      <image:title>Work - Flies.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1597521459913-SRCWP2II52ZZR98TOQ4L/Flies_04.jpg</image:loc>
      <image:title>Work - Flies.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1597521478039-7QOCT81CW8ERN0E4KDDX/Flies_05.jpg</image:loc>
      <image:title>Work - Flies.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1597521461476-H0Z9NUGN6S3AS4EN5DTF/Flies_06.jpg</image:loc>
      <image:title>Work - Flies.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1597521477444-PKZEY61C26R5L4ZZO7CR/Flies_07.jpg</image:loc>
      <image:title>Work - Flies.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1597521639256-EZUW4G610THJE3KLKX5S/Flies_still_02.jpg</image:loc>
      <image:title>Work - Flies.</image:title>
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  <url>
    <loc>https://www.alltheorynopractice.com/work/project-one-hgy2m-ykexj-72gwe-5py7r-xcmte-32znn-flk5f-lrjck-ejlw8-pt3kk-bhhze-tx6hh</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1597328561015-22W2Z5GSH513R13ZV028/IMG_0301.jpg</image:loc>
      <image:title>Work - Eulogia</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1597328622034-05TRT2D2209DMPF8BQV0/eulogia_01.jpg</image:loc>
      <image:title>Work - Eulogia</image:title>
      <image:caption>Eulogia Polyurethane, steel, brass, found object 148 x 210 x 340 mm 2018 Private collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/work/project-one-hgy2m-ykexj-72gwe-5py7r-xcmte-32znn-flk5f-lrjck-ejlw8-pt3kk-bhhze-tx6hh-cfd83-3df7y</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596655804247-V4R7IPLERCP38EZ53Z7O/recline.jpg</image:loc>
      <image:title>Work - Reclining figure, 1959 - Reclining Figure, 1959</image:title>
      <image:caption>Digital video  1 minute, black &amp; white, stereo, 25 fps PAL 2000 Edition 5 +2 A.P. This work consists of an image of the exterior of a 1959 Gerrit Rietveld building being gradually blacked-out through a sequential stop-animation process. The blacking-out of the exterior within the linear horizontal and vertical design of the building acts as a means of colouring within the lines. Thus reducing the Modern design to a game of spot-the-difference, shifting the image from representing a building to being a flat shape. In so doing, corrupting Rietveld’s characteristic handling of three-dimensional space, for in the last sequence the view is of an ambiguous shape that prompts the viewer to both recall the original design and to form new associations with the final image. The proposed title of this work - Reclining Figure, 1959 aims to link the first image of Rietveld’s building with the final blacked-out image, perhaps vaguely reminiscent of a reclining Henry Moore sculpture. Both Rietveld and Moore were Modernist singular ‘geniuses’ working at the same time during the previous century. The imposed link between the two aims to deconstruct Nikolaus Pevner’s notion that "a bicycle shed is a building, Lincoln Cathedral is a piece of architecture." (1) The construct stating that buildings only become architecture when they transcend the utilitarian and ultimately approximate ‘useless‘ works of art. Notes: (1) Hatje, G. (Editor); Encyclopedia of Modern Architecture; Thames &amp; Hudson; London; 1963</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596656769320-WVQ2HEP2NJMYHEKQVIJ8/Moore.jpg</image:loc>
      <image:title>Work - Reclining figure, 1959 - Reclining Figure Henry Moore 1945 © The Henry Moore Foundation</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/work/supertomorrow</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596700910525-AR5OVMB9QU1C3MXOTS0I/superT_04.jpg</image:loc>
      <image:title>Work - Super Tomorrow series - Super Tomorrow (Untitled I)</image:title>
      <image:caption>Nkisi figure, concrete, rebar 600 x 300 mm 2016 Private collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596701095341-SOXBVXBV3A6WJ3ZDHE2R/Instiutional_01aa_2016.jpg</image:loc>
      <image:title>Work - Super Tomorrow series</image:title>
      <image:caption>Institutional R5 rifle, pickaxe, steel reinforced concrete, printed paper 1000 x 1500 x 700 mm 2016 Private Collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596702599852-18AA5EPG7XBLV97XFFAA/worklist_super.jpg</image:loc>
      <image:title>Work - Super Tomorrow series</image:title>
      <image:caption>From left: Mean magic | Electric guitar, concrete | 1600 x 660 x 300 mm | 2018 | Private collection Taliesin | Concrete, steel, silkscreen ink, MDF, enamel paint | 1360 x 330 x 660 mm | 2018 Untitled (Niger Delta) | Concrete, M4A1 Rifle, vegetable ivory | 1100 x 460 x 510 mm | 2016 | Private collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/15e7afc1-6f7e-488b-a9b1-ea84177991b2/Glock.jpg</image:loc>
      <image:title>Work - Super Tomorrow series - Solus Rex I</image:title>
      <image:caption>Urethane, steel, white concrete 280 x 230 x 200 mm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1512990c-bc63-4940-8040-959facd6a34b/1.jpg</image:loc>
      <image:title>Work - Super Tomorrow series - Solus Rex II</image:title>
      <image:caption>Found object, bronze, white concrete, cotton, steel 380 x 230 x 120 mm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596701689209-8UUUYMRVD3518US0IOUF/IMG_0010_yellow.jpg</image:loc>
      <image:title>Work - Super Tomorrow series - Dulcie September</image:title>
      <image:caption>Concrete, steel, iPhone, steel safe, headphones, electrical unit 1130 x 560 x 500 mm 2018 The sculpture features the song September composed by Jean-Michel Jarre (from his album Revolutions, 1988) - playing on headphones connected to an iPhone in a small locked, steel safe. Dulcie Evonne September (20 August 1935 – 29 March 1988) was a South African anti-apartheid political activist. Born in Athlone, Western Cape, South Africa, she was assassinated on the morning of 29 March 1988, outside the ANC's office in Paris, France.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596703205773-ICXTIHUMVWXQ34QVRMEM/_M5A2804.jpg</image:loc>
      <image:title>Work - Super Tomorrow series</image:title>
      <image:caption>Untitled (Vuwani) Bone, concrete, salvaged timber (door fragment from Mawela Primary School, Vuwani, Limpopo) 3200 x 410 x 430 mm 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1596703965441-8WLSUZDAOSRLT6MYFRLL/marikana.jpg</image:loc>
      <image:title>Work - Super Tomorrow series - Maximum Force</image:title>
      <image:caption>Reclaimed timber from Nkaneng, Marikana, 100% pure platinum nail 1750 x 300 x 450 mm 2016 Private Collection The Marikana Massacre started as a wildcat strike at a mine owned by Lonmin plc (a British producer of platinum group metals) in the Marikana area, close to Rustenburg, South Africa in 2012. The event garnered international attention following a series of violent incidents between the South African Police Service, Lonmin security and the leadership of the National Union of Mineworkers (NUM) on the one side and strikers themselves on the other, which resulted in the deaths of 44 people, 41 of whom were striking mineworkers killed by police between 14 - 16 August 2012. During the same incident, at least 78 additional workers were injured. The Marikana Massacre was the single most lethal use of force by South African security forces against civilians since 1960. The shootings have been compared to the Sharpeville massacre in 1960.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/work/heart-of-darkness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/work/fetish</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-14</lastmod>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/work/project-one-hgy2m-ykexj-72gwe-5py7r-xcmte-32znn-flk5f-lrjck-ejlw8-pt3kk-bhhze-tx6hh-cfd83-9e68c-js8pn-n5xkt-caztw</loc>
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    <lastmod>2021-12-14</lastmod>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/work/discreet</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/work/project-one-hgy2m-ykexj-72gwe-5py7r-xcmte-32znn-flk5f-lrjck-ejlw8-pt3kk-bhhze-tx6hh-cfd83-9e68c-js8pn-n5xkt-caztw-apfhb-5mdbm</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1597355800634-PIGYC8C0K4DFFBA2E48L/MacGarry_fuller.jpg</image:loc>
      <image:title>Work - Fuller, Further, Faster, Better - Fuller, Further, Faster, Better.</image:title>
      <image:caption>Polyurethane, epoxy, pine, nylon hair 2560 x 1540 mm 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1597498228419-OM4FK56L2ERZHXFFTNJ8/fuller2.jpg</image:loc>
      <image:title>Work - Fuller, Further, Faster, Better - Fuller, Further, Faster, Better. (2012) – relates closely to a much earlier series of photographs made in Europe in 2001, namely the Crusoe series, detailed below.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1599140619208-BSZ3GT6VDK3327O30N50/RC_edenSMALL.jpg</image:loc>
      <image:title>Work - Fuller, Further, Faster, Better</image:title>
      <image:caption>Eden Project, Cornwall (November 2002)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1599140577622-VW235JB5KQJQW1FU68JQ/CRUSOE_dublinNEW.jpg</image:loc>
      <image:title>Work - Fuller, Further, Faster, Better</image:title>
      <image:caption>Dublin Botanical Gardens (June 2001)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1599140685897-IOE2TVEJ5VLLH6E4C9F6/CRUSOE_kewSMALL.jpg</image:loc>
      <image:title>Work - Fuller, Further, Faster, Better</image:title>
      <image:caption>Kew Gardens, London (May 2002)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/exhibition</loc>
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    <lastmod>2024-11-15</lastmod>
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  <url>
    <loc>https://www.alltheorynopractice.com/exhibition/entertainment</loc>
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    <priority>0.5</priority>
    <lastmod>2020-09-18</lastmod>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/exhibition/end-game</loc>
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    <lastmod>2020-09-17</lastmod>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/exhibition/truestory</loc>
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    <lastmod>2020-09-17</lastmod>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/exhibition/atnp</loc>
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    <lastmod>2020-09-17</lastmod>
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      <image:title>Exhibition - alltheorynopractice.com</image:title>
      <image:caption>Above: Modern Amusement monograph – first published 2004</image:caption>
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    <image:image>
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      <image:title>Exhibition - alltheorynopractice.com</image:title>
      <image:caption>Above: Installation view – Or Until the World Improves, The Premises Gallery, Johannesburg (10 – 24 July 2004)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1600161695271-RPL0GNCL4D91IG65SN3E/01healthy.jpg</image:loc>
      <image:title>Exhibition - alltheorynopractice.com</image:title>
      <image:caption>Above: Still image from The Healthy World of Primitive Building Methods. Below: The homepage for alltheorynopractice.com as it appeared in 2005</image:caption>
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    <image:image>
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      <image:title>Exhibition - alltheorynopractice.com</image:title>
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  <url>
    <loc>https://www.alltheorynopractice.com/exhibition/otherhalf</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2020-09-03</lastmod>
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      <image:title>Exhibition - The Other Half</image:title>
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      <image:title>Exhibition - The Other Half</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1597876750260-3ZBSMGR1X2RHY1RKSJJK/MacGarry_fuller.jpg</image:loc>
      <image:title>Exhibition - The Other Half</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1597876801932-Z3KJ9ZG22R7W1QA3R1RG/MacGarry_FARO.jpg</image:loc>
      <image:title>Exhibition - The Other Half</image:title>
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    <image:image>
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      <image:title>Exhibition - The Other Half</image:title>
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      <image:title>Exhibition - The Other Half</image:title>
    </image:image>
    <image:image>
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      <image:title>Exhibition - The Other Half</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1597876880989-7PRUF9083FVRGCQSICQZ/MacGarry_festoon_01.jpg</image:loc>
      <image:title>Exhibition - The Other Half</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/exhibition/project-four-ypkma</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/exhibition/when-enough-people-start-saying-the-same-thing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1592246166376-H7PTDKKA8O999840K298/TheMaster.jpg</image:loc>
      <image:title>Exhibition - When enough people start saying the same thing.</image:title>
      <image:caption>The Master Inkjet on cotton paper 1500 x 1200 mm 2008 Edition 10</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/1592247379341-DV351F4PWH0I0MSUCVOZ/TeethFetish_FINAL.jpg</image:loc>
      <image:title>Exhibition - When enough people start saying the same thing.</image:title>
      <image:caption>Teeth Fetish H&amp;K G3, timber, animal teeth 1050 x 205 x 85 mm 2008 Private collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.alltheorynopractice.com/exhibition/superstructure</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/3eb47ac0-a604-4d16-8b71-ede1d67cb3b8/Doomscroll.jpg</image:loc>
    </image:image>
    <image:image>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/3c94f6be-2077-446b-9265-73a6a8fa4c83/ATP.jpg</image:loc>
    </image:image>
    <image:image>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5ed7eff77f71ce24d1fbd392/9e59c7d4-565c-4431-8f11-b3db927da4a7/IMG_4394.jpg</image:loc>
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  <url>
    <loc>https://www.alltheorynopractice.com/exhibition/project-three-kyyk8</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-03</lastmod>
    <image:image>
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      <image:title>Exhibition - SHOW NO PAIN</image:title>
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      <image:title>Exhibition - We are now what you once were.</image:title>
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    <loc>https://www.alltheorynopractice.com/exhibition/project-one-6rce2</loc>
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    <lastmod>2022-08-10</lastmod>
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      <image:title>Exhibition - A course sorting of the readily available.</image:title>
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      <image:title>Exhibition - A course sorting of the readily available. - Cinematic representations of Africa – both real and imagined – are explored in multiple works on exhibition, from Blomkamp’s District 9 (2009) in Private Grammar II (2011), through to the Warner Bros. branded 35mm film reels of Porte-parole (2018) and within the collected flags of Posuban (2016). Dated modes of colonial-era exploration unfold in PLAY, DIE, RESTART – a purpose-made feature-length video that forms the sixth filmic work by the artist in an ongoing series that individually, and collectively, corrupt cinematic legacies of Conrad’s novella Heart of Darkness (1902). PLAY, DIE, RESTART is a refilming of the 2017 feature film Kong: Skull Island with the visual component of the film corrupted through a fractal lens while the original audio screens intact. A stated key influence of the film is Francis Ford Coppola’s Apocalypse Now and its second-hand narrative conceit of a journey up-river into the Heart of Darkness. That a film made in 2017 can be based closely on stereotypical narratives dating to over a hundred years ago is lazy in the extreme, that said film can generate over US$500m in ticket sales is deeply problematic. Two recent video works – Parang (2017) and Der Magnetiseur (2018) – make use of documented self-presentation, or self-staging (not performance), to elaborate on the personal historical (what can never be again). The two-channel video, Parang, operates within the realm of Harrald Szeemann’s notion of individual mythologies – following a circuitous, omni-linear route via one channel of the lifecycle of the silk worm from birth, through growth, into pupae, chrysalis and metamorphosing into a moth that mates and dies once all its eggs are laid. This narrative, is paired with a second video channel detailing the graphic disruption of key architectural references from the artist’s own life and family history through stop-motion animation. Running through these spaces of habitation and remembering are two objects the artist’s family brought with them from Malaya (now Malaysia) to South Africa in 1958; a 12-gauge shotgun and a small ivory carving. The two-channel video loops endlessly and is in part an exercise in the entropy and absurdity in constructions of self and place.</image:title>
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      <image:title>Exhibition - A course sorting of the readily available. - In the ground floor, housed within a rudimentary child-like rendering of a vehicle, screens the feature-length video – Der Magnetiseur (2018). The video concerns a carnivalesque self-portrait of the artist, as a live-filmed performance of MacGarry playing a 60-minute composition on a digital piano with extended prosthetic arms, whilst seated on a slowly rotating platform, in front of a House of Mirrors set. The title is drawn from Prussian Romantic author E.T.A. Hoffmann’s (1776-1822) short story of the same name (Der Magnetiseur), first published in 1814. The story details the actions of Alban, a physician engaged in the mesmeric hypnosis of a second character named Mary. Hoffmann’s short story portrays mesmeric communication not as a healing force – but as a manipulative power, invading and colonising the mind, resulting in terrifying loss of self and ultimately death of the female character, Mary. A recurrent trope in 19th century Romantic literature – somnambulism (or sleepwalking) – was understood at the time to be a condition of women. Contemporary gender studies have largely focused on the role that somnambulism plays in the construction of femininity. Interpretations of literary depictions of male somnambulism from the time however, tend to be determined in two primary ways; as indicative of a feminised male subject or as a metaphor for larger political and social issues. Constructed as Menippean satire, MacGarry’s Der Magnetiseur, presents a narrative focused on the magnetism (hypnosis) of a man by a man (the artist himself). Shame as a function of witnessing in the resulting somnambulism – proposes a marginalised masculinity, one in which the male body is revealed as frail, penetrable, and weak; a corruption in normative gender binaries. Menippean satire is a form characterised by attacking mental attitudes rather than specific individuals or entities, a central tenant being the power of physical images to satirise ideas. Of particular focus is Mikhail Bakhtin’s reading of Menippean satire within the carnival sense of the world, and hence the burlesque visual character in MacGarry’s film.</image:title>
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