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Will to Power |
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Will to Power
FILM CREDITS – Written & Directed – Michael MacGarry Shot on location in Johannesburg, at the Nirox Foundation and the Great Zimbabwe Ruins. Sincere thanks go to Wesley de Wit, the Nirox Foundation and to cast and crew on this project.
TREATMENT – “Assassination, is simply an extreme form of censorship.” – George Bernard Shaw
[Anything which]... “is a living and not a dying body... will have to be an incarnate will to power, it will strive to grow, spread, seize, become predominant – not from any morality or immorality but because it is living and because life simply is will to power... ‘Exploitation’... belongs to the essence of what lives, as a basic organic function; it is a consequence of the will to power, which is after all the will to life.” – Nietzsche, F. ; Beyond Good and Evil, s.259, W.Kaufmann transl.
“Murder has its sexual side.” – Jenny Holzer, Truisms, 1977-79
“To make a film all you need is a girl and a gun.” – Jean-Luc Godard
Will to Power concerns both a contextual and thematic refiguring of the 1973 film The Day of the Jackal. Based on the book of the same title by Frederick Forsythe, The Day of the Jackal was directed by Fred Zinnemann and released in 1973. The film’s narrative follows the repercussions of the Evian Accords, signed in 1962 which gave Algeria independence from France. French nationals living in Algeria sought to have the African nation integrated into France. The OAS (Organisation de l’Armée Secréte) was composed of French Nationals, French Army personnel and members of the French Foreign Legion and they fought to keep Algeria for France. There was a military revolt in 1961 and many of the leaders of the revolt were taken into custody. Some escaped to lead the OAS which carried on a terrorist campaign in Algeria and France. Riots were initiated, public buildings were bombed, and banks were robbed. There were also attempts to assassinate French President Charles de Gaulle. One of the main appeals is the pseudo-documentary style used throughout the film, rendering the viewer seemingly implicit the unfolding narrative, as well as in the Jackal’s planning and implementation of his objective.
REFERENCE –
Film poster: The Day of the Jackal |
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THEATRICAL PROP & ASSOCIATED WORKS –
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The Device
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The Instrument
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| The Scalpel From: Will to Power Private collection |
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Michael MacGarry
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